Mr.Chow’s cigarettes

In the mood for love (2000)

(via rosieroti)


The speed of light

(Source: frankocean-realm)


The Plaque Series

The concept art of Jenny Holzer.

a story behind every window

a story behind every window

(Source: pleoros, via cherrylet)


"Real isn’t how you are made," said the Skin Horse. "It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but really loves you, then you become Real."

"Does it hurt?" asked the Rabbit.

"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real, you don’t mind being hurt."

"Does it happen all at once, like being wound up," he asked, "or bit by bit?"

"It doesn’t happen all at once," said the Skin Horse. "You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out, and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real, you can’t be ugly, except to people who don’t understand."


The Velveteen Rabbit, Margery Williams, 1922 (via karavanderbijl)

(Source: karavanderbijl)

How do you share your life with somebody?

How do you share your life with somebody?

(Source: suchasadaffair, via toujoursgai)


Chino Otsuka : Imagine Finding Me 

Chino Otsuka uses photography and video to explore the fluid relationship between the memory, time and photography. At age 10 she moved from Japan to the United Kingdom to attend school. Her experience of becoming familiar with a new place, a different language and new customs while she was developing her adolescent identity has profoundly shaped her work in photography, video and writing. Her series Imagine Finding Me consists of double self-portraits, with images of her present self beside her past self in various places she has visited. As Otsuka says: “The digital process becomes a tool, almost like a time machine, as I’m embarking on the journey to where I once belonged and at the same time becoming a tourist in my own history.”  - via AGO

(via cherrylet)


Jenny Holzer - SURVIVAL, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993)

"Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed to mean?’ And it’s like, well, why are you angry about that and you’re not angry about anything else you see here? About drug dealing, about people with drugs, about homelessness, but you’re getting mad about this sign because people feel it doesn’t belong here. And they feel all the other stuff does." (Theatre Electrician) (x)

(Source: honkytonkwomyn, via adrowningwoman)

On the first day, I thought only
of the last time I had seen
your face in the bruise dark
of morning: your eyelids
tipping closed, your mouth
coming to rest on mine, an
The second day I don’t remember.

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